10.22.2021 – vulnerable to

vulnerable to
commonsensical scorn of
those who seek little

I like to quote whoever first said it that common sense is pretty uncommon.

I like to think there is such a thing as common sense.

I like to think that common sense has a common denominator.

I like to think that common sense means the same thing to all people.

I have to realize a new and a new over and over again, that what is common sense to me may be alien political dogma to another.

I don’t know when I first read the above Charlie Brown comic strip.

I do know I thought it was really funny.

After I read this I loved being inside when it rained and yelling to the world at large, “See? See? See?”

Not saying that it was thought that I had little common sense or not enough sense to come in out of the rain.

Never once did I have anyone tell me that, “It’s not raining” or “That’s not rain” or “that rain is fake.”

There were some things that were accepted.


Today everything is on the table.

Today everything is open for discussion.

Today everything is … well … you get the picture.

Everything includes common sense.

Reading from the excerpt, “leave ourselves more than usually vulnerable to the commonsensical scorn of those who seek little.”

Mr. de Botton is writing about, of all things, a light switch on the wall.

Its a string of words that describe the last decade better than book I have come across.

Adapted from the book, The Architecture of Happiness (2009, Vintage Books) by Alain de Botton, and the passage:

We will, of course, run a risk if we spend extended periods analysing the meanings that emanate from practical objects. To be preoccupied with deciphering the message encoded in a light switch or a tap is to leave ourselves more than usually vulnerable to the commonsensical scorn of those who seek little from such fittings beyond a means of illuminating their bedroom or rinsing their teeth.

According the The New York Review of Books, this is “A perceptive, thoughtful, original, and richly illustrated exercise in the dramatic personification of buildings of all sorts.”

What I find irrestible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, I would.

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