6.11.2026 – wings strive toward

wings strive toward
the wind; see how the clasp of
nothing takes her in

Heron Rises From The Dark, Summer Pond by Mary Oliver (Grand Central Publishing: New York, 2003).

So heavy
is the long-necked, long-bodied heron,
always it is a surprise
when her smoke-colored wings

open
and she turns
from the thick water,
from the black sticks

of the summer pond,
and slowly
rises into the air
and is gone.

Then, not for the first or the last time,
I take the deep breath
of happiness, and I think
how unlikely it is

that death is a hole in the ground,
how improbable
that ascension is not possible,
though everything seems so inert, so nailed

back into itself–
the muskrat and his lumpy lodge,
the turtle,
the fallen gate.

And especially it is wonderful
that the summers are long
and the ponds so dark and so many,
and therefore it isn’t a miracle

but the common thing,
this decision,
this trailing of the long legs in the water,
this opening up of the heavy body

into a new life: see how the sudden
gray-blue sheets of her wings
strive toward the wind; see how the clasp of nothing
takes her in.

We live a short walk from what is called the Broad Creek Marina.

A small dock, on a winding tidal salt marsh estuary that cuts deep into Hilton Head Island.

It functions as an inlet where ocean tides ebb and flow, creating a vibrant aquatic hub for recreation, boating, and wildlife.

We got on the dock of the marina the other to find this guy keeping an eye on us and other things.

And especially it is wonderful

that the summers are long

and the ponds so dark and so many,

and therefore it isn’t a miracle

but the common thing,

this decision,

this trailing of the long legs in the water,

this opening up of the heavy body

into a new life: see how the sudden

gray-blue sheets of her wings

strive toward the wind; see how the clasp of nothing

takes her in.

Love that line, the clasp of … nothing.

5.31.2026 – is no way one can

is no way one can
anticipate accurately
such wreathing vapors

The clouds were swift-moving, and I made a series of exposures.

There is no way one can anticipate accurately the positions of such wreathing vapors;

one situation appears worthy of an exposure —

and then appears another situation that seems even better.

From El Capitan, Winter Sunrise in Examples : the making of 40 photographs by Ansel Adams (Little, Brown: Boston, 1983).

This are images of a storm front over Port Royal Sound as viewed from Fish Haul Beach on the northern most edge Hilton Head Island on Saturday, May 30, 2026.

The clouds were swift-moving, and I made a series of exposures.

One situation appeared worthy of an exposure.

And then appeared another situation that seemed even better.

There is no way one can anticipate accurately the positions of such wreathing vapors.

And let me saw (and I have said this before) in NO WAY can I or DO I compare or imagine that my shots with an iPhone could be included in any honest discussion of the work of Mr. Adams … but, be that as it may, I am also the guy who edits Shakespeare into my definition of Haiku … so there you are.

But I get the girl in the end so all’s well that ends well.

For some reason, I just discovered the simple majesty of that phrase.

5.17.2026 – more wonderful than

more wonderful than
way sun floats toward horizon
and into the clouds
?

Broad Creek at high tide looking toward the Cross Island Bridge at Sunset on Hilton Head Island – May 16,2026

Have you ever seen
anything
in your life
more wonderful

than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon

and into the clouds or the hills,
or the rumpled sea,
and is gone–
and how it slides again

out of the blackness,
every morning,
on the other side of the world,
like a red flower

streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance–
and have you ever felt for anything
such wild love–
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure

that fills you,
as the sun
reaches out,
as it warms you

as you stand there,
empty-handed–
or have you too
turned from this world–

or have you too
gone crazy
for power,
for things?

The Sun by Mary Oliver as published in New and selected poems (Beacon Press Collection: Boston, 1992).

As the sun is setting, it is rising somewhere else.

My day is done and is just beginning for someone somewhere else.

Into the clouds for me.

Out of the blackness for someone else.

Relaxed and easy … every evening and every morning.

At its perfect imperial distance.

Just happy to be here.

4.17.2026 – low tide high tide date

low tide high tide date
location is H H I
what more need to know?

I ask again?

If you know where you are and you are on Hilton Head Island.

If you know where you are and you know when high tide and when low tide is.

If you know where you are and you know the date.

If you know where you are and know what the colors of the warning flags mean.

Red flags mean there is a high hazard of dangerous currents and/or surf – OR Sharks – OR lightning seen in the area.

And that’s a pretty good list of hazards to be aware of.

Yellow flags mean there is a medium hazard of moderate current and/or surf and it says nothing about sharks (though a good friend of mine says if you put your finger in the water and then taste it; if it tastes salty there are sharks in the water).

Purple flags mean there are Marine Pests Present. Marine Pests mean things that STING like jellyfish or stingrays while I include anyone on the beach that has to, and I mean HAS TO play some game that involves throwing something. I mean really, you put all this effort into getting to the beach and relaxing in the sun by the water and yet there are those who after one or two minutes of relaxing, jump and say, “who wants to throw something.” That includes baseballs, tennis balls, footballs, frisbees and just anything that can be thrown if any of those items were not brought along. It also involves kicking soccer balls, bumping volleyballs and golfing. It makes no matter if its low tide and there are acres of beach, they set up right next to you or high tide when there is no space for such games but these pests persist in throwing footballs or baseballs or kicking soccer balls through a crowded mass of people like their lives and their vacations depended on it. And as a good part of these pests are imbibing beverages of an adult nature, their accuracy steadily diminishes as the day goes on. These pests may possibly be the biggest hazard on the beach.

BUT I DIGRESS!

If you know where you are and you know the when high tide is.

If you know where you are and you know the when low tide is.

I ask you.

What more do you need to know?

PS: Do I need to mention I took this picture when … I was on my lunch break from work. Yeah, I guess I do.

3.31.3036 – little time we live

little time we live
learn painfully to practice
for eternity

The oaks, how subtle and marine!
Bearded, and all the layered light
Above them swims; and thus the scene,
Recessed, awaits the positive night.

So, waiting, we in the grass now lie
Beneath the languorous tread of light;
The grassed, kelp-like, satisfy
The nameless motions of the air.

Upon the floor of light, and time,
Unmurmuring, of polyp made,
We rest; we are, as light withdraws,
Twin atolls on a shelf of shade.

Ages to our construction went,
Dim architecture, hour by hour;
And violence, forgot now, lent
The present stillness all its power.

The storm of noon above us rolled,
Of light the fury, furious gold,
The long drag troubling us, the depth:
Unrocked is dark, unrippling, still.

Passion and slaughter, ruth, decay
Descended, whispered grain by grain,
Silted down swaying streams, to lay
Foundation for our voicelessness.

All our debate is voiceless here,
As all our rage is rage of stone;
If hopeless hope, fearless is fear,
And history is thus undone.

(Our feet once wrought the hollow street
With echo when the lamps were dead
All windows; once our headlight glare
Disturbed the doe that, leaping fled.)

The caged hearts make iron stroke,
I do not love you now the less,
Or less that all that light once gave
The graduate dark should now revoke

So little time we live in Time,
And we learn all so painfully,
That we may spare this hour’s term
To practice for Eternity.

Bearded Oaks by Robert Penn Warren as published in The collected poems of Robert Penn Warren by Robert Penn Warren (Louisiana State University Press: Baton Rouge, 1998).

Massive … MASSIVE live oak on the grounds of the Coastal Carolina Museum on Hilton Head Island

The oaks, how subtle and marine!

Bearded, and all the layered light

Above them swims; and thus the scene,

Recessed, awaits the positive night.

The south is different.

It has a lot less snow.

It has a lot less cold.

It has a lot more sun.

It has lot more good smells.

It had lot more bad smells.

And it has live oaks.

Ages to our construction went,

Dim architecture, hour by hour;

And violence, forgot now, lent

The present stillness all its power.

Here before we were born.

Here after we will die.

The present stillness all its power.

So little time we live in Time,

And we learn all so painfully,

That we may spare this hour’s term

To practice for Eternity.

According to Wikipedia, Robert Penn Warren (April 24, 1905 – September 15, 1989) was an American poet, novelist, literary critic and professor at Yale University. He was one of the founders of New Criticism. He was also a charter member of the Fellowship of Southern Writers. He founded the literary journal The Southern Review with Cleanth Brooks in 1935. He received the 1947 Pulitzer Prize for the Novel for All the King’s Men (1946) and the Pulitzer Prize for Poetry in 1958 and 1979. He is the only person to have won Pulitzer Prizes for both fiction and poetry. Yale awarded Warren an honorary Doctor of Letters degree in 1973.