5.3.2022 – sustaining the change

sustaining the change
not tax on the many poor
but the wealthy few

In a letter written from Vandalia (Illinois) dated, March 2, 1839 to a Mr. William S. Wait, Abraham Lincoln, then 30 years old, wrote about proposed legislation in the State that:

That proposition is little less than self-evident. The only question is as to sustaining the change before the people. I believe it can be sustained, because it does not increase the tax upon the “ many poor ” but upon the “wealthy few” by taxing the land that is worth $50 or $100 per acre, in proportion to its value, instead of, as heretofore, no more than that which was worth but $5 per acre. This valuable land, as is well known, belongs, not to the poor, but to the wealthy citizen.

I am not surprised and I AM pleased that Mr. Lincoln saw taxes that way.

I am not surprised either that in a speech two years earlier on the same subject of state finances, Mr. Lincoln said:

. . . this movement is exclusively the work of politicians; a set of men who have interests aside from the interests of the people, and who, to say the most of them, are, taken as a mass, at least one long step removed from honest men. I say this with the greater freedom because, being a politician myself, none can regard it as personal.

Self interested politicians looking to get rich off the poor.

The great American tradition I guess.

5.2.2022 – seen all of the sights

seen all of the sights
it is a little too dark
to see any more

Adapted from a passage from a book I read a long time ago.

It is the final paragraph to the autobiography of one of my favorite authors, Bruce Catton, of Benzonia, Michigan.

After a career of being a Civil War historian and 20 or more books and countless articles on the war picking up a Pulitzer Prize for the writing along the way, Mr. Catton wrote Waiting for the Morning Train – A Michigan Boyhood (1972 – Doubleday).

Writing about the war, Mr. Catton experienced all that this country had to offered at it lowest point and he was also able to maintain an optimistic outlook.

With the poetry of the written paragraph, Mr. Catton closed his auto-biography with this passage.

But you know how it can be, waiting at the junction for the night train. You have seen all of the sights, and it is a little too dark to see any more even if you did miss some, and the waiting room is uncomfortable and the time of waiting is dreary, long-drawn, with a wind from the cold north whipping curls of fog past the green lamps on the switch stands. Finally, far away yet not so far really, the train can be heard; the doctor (or station agent) hears it first, but finally you hear it yourself and you go to the platform to get on. And there is the headlight, shining far down the track, glinting off the steel rails that, like all parallel lines, will meet in infinity, which is after all where this train is going. And there by the steps of the sleeping car is the Pullman conductor, checking off his list. He has your reservation, and he tells you that your berth is all ready for you. And then, he adds the final assurance as you go down the aisle to the curtained bed: “I’ll call you in plenty of time in the morning.”

The final assurance as you go down the aisle to the curtained bed: “I’ll call you in plenty of time in the morning.”

5.1.2022 – go down to the edge

go down to the edge
of the sea – how everything shines
in the morning light

Based on the poem, Breakage, by Mary Oliver.

Thank you to my sister Lisa, to telling me about Ms. Oliver.

Here is the poem.

Breakage by Mary Oliver.

I go down to the edge of the sea.
How everything shines in the morning light!
The cusp of the whelk,
the broken cupboard of the clam,
the opened, blue mussels,
moon snails, pale pink and barnacle scarred—
and nothing at all whole or shut, but tattered, split,
dropped by the gulls onto the gray rocks and all the moisture gone.
It’s like a schoolhouse
of little words,
thousands of words.
First you figure out what each one means by itself,
the jingle, the periwinkle, the scallop
full of moonlight.

Then you begin, slowly, to read the whole story.

go down to the edge
of the sea – How everything shines
in the morning light

It’s like a schoolhouse
of little words, thousands of words
First you figure out what each one means by itsel

– – – – – – –

Readers of this blog may remember that from time to time I struggle with the weight of effort of producing a daily Haiku and any thoughts I may have about the words and time that went in the Haiku that day.

This daily schedule of missing a day can bring on a personal mental paralysis wherein writing these entries becomes impossible.

I learned to deal with this by not dealing with it and let it go.

Then when I look at my register of entries and see blank days with no post, I will grab a topic or book or poem for a source and produce a series of Haiku to fill in those blank dates.

This is one of the great benefits of this effort being my blog and my blog, my rules.

It IS cricket because I say it is.

It is ‘according to Hoyle’ because I say it is.

Thus I have this series of haiku based on the poem ‘Breakage’ by Mary Oliver.

4.29.2022 – good bad that’s ugly

good bad that’s ugly
quest for anonymity
labeled by the world

So much anger.

So much frustration.

We’re tired of being cooped up, tired of being careful, tired of being scared. Our collective fatigue is making some people careless –

However, facing this fatigue is important for our personal health and for beating the coronavirus that has shaken American life so completely. Many people understand this, which adds to their exhaustion and stress.

“This is a real challenge,” said Kaye Hermanson, UC Davis Health psychologist in the Department of Physical Medicine and Rehabilitation. “There are no easy solutions.”

This is a real challenge!

There are no easy solutions.

I just want to hide.

I crave anonymity.

So I go one facebook.

Thats good?

Thats bad?

Well.

It sure is ugly.

4.28.2022 – I take the deep breath

I take the deep breath
how unlikely that death is
a hole in the ground

Based on the poem, Heron Rises From The Dark, Summer Pond, by Mary Oliver.

Again, a big thank you to my sister Lisa, to telling me about Ms. Oliver.

Feel free to touch base and tell me what to read.

For me, herons, seeing a heron, has been and still is a harbinger of good fortune, a good omen.

Not that you saw herons all that often in West Michigan where I grew up but maybe that was part of it.

And not that I really believe in good omens but more in line that seeing one made me feel that, surely, this wasn’t as black a world as I made it out to be.

And I have had enough Latin and roman history to not think about omens and not smile inwardly.

It is in the movie Spartacus that Roman Senator Sempronius Gracchus, played by Charles Laughton, walks out of the Senate and buys a pigeon saying “Let’s make a good old-fashioned sacrifice.

Still I cannot see a heron and somehow, not feel better.

I also cannot see a heron that I do not think of the time that Doug, my college roommate, and I were driving back to Ann Arbor, Michigan on I-96 and a heron dove out of the sky and swooped low, just above the median between the two sides of the freeway in a glide..

As I remember it, we were going about 60 miles an hour.

This was way back in the ‘Drive 55’ era and it took forever to get to Ann Arbor.

The heron passed us.

Here is the poem.

Heron Rises From The Dark, Summer Pond by Mary Oliver.

So heavy
is the long-necked, long-bodied heron,
always it is a surprise
when her smoke-colored wings

open
and she turns
from the thick water,
from the black sticks

of the summer pond,
and slowly
rises into the air
and is gone.

Then, not for the first or the last time,
I take the deep breath
of happiness, and I think
how unlikely it is

that death is a hole in the ground,
how improbable
that ascension is not possible,
though everything seems so inert, so nailed

back into itself–
the muskrat and his lumpy lodge,
the turtle,
the fallen gate.

And especially it is wonderful
that the summers are long
and the ponds so dark and so many,
and therefore it isn’t a miracle

but the common thing,
this decision,
this trailing of the long legs in the water,
this opening up of the heavy body

into a new life: see how the sudden
gray-blue sheets of her wings
strive toward the wind; see how the clasp of nothing
takes her in.

So heavy
is the long-necked, long-bodied heron,
always it is a surprise
when her smoke-colored wings

open
and she turns
from the thick water,
from the black sticks

of the summer pond,
and slowly
rises into the air
and is gone.

Then, not for the first or the last time,
I take the deep breath
of happiness, and I think
how unlikely it is

that death is a hole in the ground,
how improbable
that ascension is not possible,
though everything seems so inert, so nailed

back into itself–
the muskrat and his lumpy lodge,
the turtle,
the fallen gate.

And especially it is wonderful
that the summers are long
and the ponds so dark and so many,
and therefore it isn’t a miracle

but the common thing,
this decision,
this trailing of the long legs in the water,
this opening up of the heavy body

into a new life: see how the sudden
gray-blue sheets of her wings
strive toward the wind; see how the clasp of nothing
takes her in.

– – – – – – –

Readers of this blog may remember that from time to time I struggle with the weight of effort of producing a daily Haiku and any thoughts I may have about the words and time that went in the Haiku that day.

This daily schedule of missing a day can bring on a personal mental paralysis wherein writing these entries becomes impossible.

I learned to deal with this by not dealing with it and let it go.

Then when I look at my register of entries and see blank days with no post, I will grab a topic or book or poem for a source and produce a series of Haiku to fill in those blank dates.

This is one of the great benefits of this effort being my blog and my blog, my rules.

It IS cricket because I say it is.

It is ‘according to Hoyle’ because I say it is.

Thus I have this series of haiku based on the poem ‘Heron Rises From The Dark, Summer Pond‘ by Mary Oliver.