Some of these beach haiku were written by random trips to beach.
Most of these are part of a series based on afternoons spent at the beach on Hilton Head Island with my pad out ( a real paper note pad), hoping for words with my iPhone camera handy to add illustration to my thoughts.
I wanted to see if I would be ‘inspired’ by what I saw, by what I heard, by what I smelled, by what I tasted, what I felt emotionally and what I felt tactilely.
Some turned out okay.
Some were too forced.
Some were just bad.
Some did involve some or all of those feelings.
As far as it goes, I guess I was inspired by by what I saw, by what I heard, by what I smelled, by what I tasted, what I felt emotionally and what I felt tactilely.
Please aware that most of these haiku were NOT WRITTEN on the date in the title – for an explanation of this please see The Series link in the navigation table.
fog, little cat feet sits looking over harbor on silent haunches
From Fog in Chicago Poems by Carl Sandburg (Henry Holt and Company, 1916).
I will bet you one dollar you knew this poem.
I will double that bet and guess you knew it was Mr. Sandburg.
I will double that bet and guess that its the only poem by Mr. Sandburg you know.
Maybe a safe bet, but if there are two things I hope from all this is that most folks know this poem and that it is by this poet and for today, and you know what, that is enough!
So let us go on out to the kitchen and grab ourselves a beer to celebrate if I won or do the same thing if I lost.
Fog as published in Chicago Poems by Carl Sandburg (Henry Holt and Company, 1916).
The fog comes on little cat feet.
It sits looking over harbor and city on silent haunches and then moves on.
By the way with a 60 degree swing in the temperature since last weekend and with the ocean still at about 55 degrees, we gots ourselves a FOG warning here in the Low Country / Coastal Empire.
whorls, curves, and shiny iridescent insides are the remains, the shell
One of the most striking features of our beaches is seashells. Their whorls, curves, and shiny iridescent insides are the remains of animals. Most shells come from soft-bodied mollusks. Snails, clams, oysters, and others need the hard protection of their shells. This tough outer covering protects the tasty body hiding inside. Other animals, such as crabs and lobsters, also make a tough outer covering, but here we focus on mollusk shells.
Where do shells come from? The animals make them. Mollusks have an outermost layer of tissue on their bodies. Called the mantle, this layer connects the animal to its shell. The mantle also creates that shell.
Specialized cells in the mantle build the shell using proteins and minerals. These are secreted—released into the space outside the cells. There, the proteins create a framework that provides support for the growing shell. The proteins in the framework also determine which minerals are used in specific parts of the shell.
Calcium carbonate, the main mineral found in shells (including eggshells), binds to the protein. If you have ever seen construction workers build with concrete, this is similar. The protein is like the steel rebar that gives shape and support. Calcium carbonate is like the cement that fills in all the gaps.
Calcium carbonate can form two different types of crystals. One is called calcite. This incredibly common crystal can be found all over the world. Calcite makes up chalk, marble, coral, limestone—and seashells. The other form is aragonite. This crystal has a different arrangement of calcium carbonate. Both calcite and aragonite are found in seashells.
A mollusk’s shell has three layers. Each is made up of similar materials. But how those materials are arranged gives them each a different look and feel. The outermost layer is mostly protein. It’s often rough and may have bumps or spikes. Proteins in the middle layer cause calcium carbonate to form calcite crystals. These fill in the spaces, making the shell tough to break.
The innermost layer is the one in contact with the mantle. It’s a smooth, iridescent layer called nacre or mother-of-pearl. Nacre is made up of protein and calcium carbonate. But it looks and feels completely different from other parts of the shell. That’s because the mantle secretes different proteins for different layers. Different proteins cause calcium carbonate to crystallize in different ways. Those used in the middle layer create calcite. Those used in the innermost layer create aragonite.
As the animal grows, its shell must grow along with it. This happens along the outer edges. A snail adds to its shell around the opening, where it pokes its head out. For a clam or mussel, it’s the outer edges where the two shells separate. The result is growth rings, like those in a tree, that allow us to measure a mollusk’s age.
When the animal inside dies, its shell is gradually pounded against the rocks and sand. Over time, shells break down. They become part of the sand. White beaches have sand made almost entirely of tiny bits of shells.
One of the favorite sayings of the folks up North is, “Lake Michigan – No Salt Added.”
But you also don’t have sea shells.
And I have fallen in love with them.
The shells in the picture I found on my lunch time break beach walk last week.
Being January, the number of the people on the beach is close to like … none (though there are always crazies from Wisconsin running around in swimsuits yelling its so warm) and the chances on finding sea shells on the beaches on the southern part of Hilton Head Island are pretty good.
I am learning about sea shells.
Any one should be able to tell you that you can cut down a tree and count the rings to get an age for the tree.
One new ring for each growth cycle in one year of freezing and thawing.
But what about shells.
Clam shells will add a new ring as it grows and these are not always one year apart.
• As they grow, clams add to the edge of their shell to protect their squishy body inside. • Each time the clam grows, you see a ring. Clams grow in seasons when the water is warm (April-October). • You can count the growth rings like you would age a tree. • Count the darkest rings, each ring represents 1 year. • The wider the band, the more the clam grew that year! More growth suggests warm water and a lot of food that year!
wave-sculpted ripples oscillating flows pick up sand grains, set them down
When a coastal tide rolls out, it can reveal beautiful ripples in the temporarily exposed sand. These same undulating patterns can also be seen in ancient, petrified seabeds that have been exposed in various parts of the world and preserved for millions or even billions of years.
Wave-sculpted ripples form as waves travel across the surface of a body of liquid. These waves cause water beneath the surface to circle around and around, generating oscillating flows that pick up sand grains and set them down in a process that eventually carves out troughs and grooves throughout the sandbed.
From Beach sand ripples can be fingerprints for ancient weather conditions by Jennifer Chu in the MIT News.
cotidal lines that circulate counterclockwise amphidromic points
In the North Atlantic, because the cotidal lines circulate counterclockwise around the amphidromic point, the high tide passes New York Harbor approximately an hour ahead of Norfolk Harbor. South of Cape Hatteras the tidal forces are more complex, and cannot be predicted reliably based on the North Atlantic cotidal lines.
From ancient times, tidal observation and discussion has increased in sophistication, first marking the daily recurrence, then tides’ relationship to the Sun and moon. Pytheas travelled to the British Isles about 325 BC and seems to be the first to have related spring tides to the phase of the moon.
Isaac Newton’s theory of gravitation first enabled an explanation of why there were generally two tides a day, not one, and offered hope for a detailed understanding of tidal forces and behavior. Although it may seem that tides could be predicted via a sufficiently detailed knowledge of instantaneous astronomical forcings, the actual tide at a given location is determined by astronomical forces accumulated by the body of water over many days. In addition, accurate results would require detailed knowledge of the shape of all the ocean basins—their bathymetry, and coastline shape.
(Wikipedia)
Time and tide wait for no man but when you move to an area with an average 8 foot tide you learn to check the tide tables early and often.
I am not sure why it didn’t sink in but an 8 foot tide is not horizontal.
The water does not move back and forth.
An 8 foot tide is veritical.
It moves up and down.
In doing so, the water moves back and forth across the beach but it is the depth that is changing.
I am just at six feet tall.
If I stood at low tide along the ocean’s age and didn’t move, but the time high tide was at its peak, my head would be 2 feet under water.
Those cotidal lines that circulate counterclockwise around the amphidromic points can really mess up your day and use some really wonderful words to do it.
every person’s heart on Earth burns the spark of luminous goodness
Calibogue Sound looking towards Hilton Head Island, Noonish on the Winter Solstice – 2023
The dark shadow of space leans over us. . . . . We are mindful that the darkness of greed, exploitation, and hatred also lengthens its shadow over our small planet Earth. As our ancestors feared death and evil and all the dark powers of winter, we fear that the darkness of war, discrimination, and selfishness may doom us and our planet to an eternal winter.
May we find hope in the lights we have kindled on this sacred night, hope in one another and in all who form the web-work of peace and justice that spans the world.
In the heart of every person on this Earth burns the spark of luminous goodness; in no heart is there total darkness. May we who have celebrated this winter solstice, by our lives and service, by our prayers and love, call forth from one another the light and the love that is hidden in every heart.
A Winter Solstice Prayer by Edward Hayes
I feel bad as I took the photograph of the sun on the water at the right place at the right time and I needed the google to find an appropriate poem.
So I hammered the two things together.
I am not sure who Edward Hayes is?
Maybe he has a blog and writes poems all day and publishes them to world to be read … or not.
I can see it happening.
This line isn’t bad.
May we find hope in the lights we have kindled on this sacred night, hope in one another
and in all who form the web-work of peace and justice that spans the world.
As I work in web work I kind of like it.
Not bad.
Ever see the movie Reuben, Reuben?
I watched as Julius Epstein gave an interview once and said it was his favorite movie of his.
Mr. Epstein and his brother Mr. Epstein are two of the people credited with the achievement otherwise known as the screen play for the movie, Casablanca.
There was also the feller who wrote the book, “Everybody Comes to Ricks“.
Aside from that one line from the title, nothing else has anything to do with the movie.
The Epstein Brothers worked with a feller named Howard Koch who apparently was never in the same room with the Epstein Brothers.
Then there was the producer, Hal Wallis.
And the Director, Michael “Next time I send a son-of-a-bitch, I go myself’ Curitz.
I think all of them claim to have come up with the line, “Louie this looks the beginning of a …”
But I digress.
In Rueben, Rueben a down and out Irish poet, full of despair, (all his teeth have been damaged by a Dentist whose wife he compromised) is about to hang himself when he recites of bit of verse and realizes he still has poems yet to write.
Then a dog bursts into the room and jumps up on the poet, knocking him off the ladder he was standing on and, well, you can work out the rest.
What kind of Christmas Haiku is this?
That’s the problem I guess when writing at work in a few stolen moments with the sun shinning outside and me not outside even though its a freezing 50 degrees out there.
Right, the poem.
The poem wasn’t bad.
Free association is free but what of association?
Thank goodness that was the shortest day of the year.