anybody who’s
educated can write but
reading’s like breathing

“There are editors who will always feel guilty that they aren’t writers,” he explained. “I can write perfectly well — anybody who’s educated can write perfectly well. It’s very, very hard, and I just don’t like the activity. Whereas reading is like breathing.”

From the obit, Robert Gottlieb, Eminent Editor From le Carré to Clinton, Dies at 92 by Robert D. McFadden in the New York Times

share, with dignity
society culture that
values live, let live

This country — this whole region — will thrive only if these four women can share the same beachfront promenade with dignity, in a society and culture that values live and let live.

Everyone is just too intertwined now for anything else.

But live and let live takes work and the right leadership, whether it comes from heads of government or next-door neighbors.

From From Tel Aviv to Riyadh By Thomas L. Friedm

Live and let live takes work and the right leadership.

Whether it comes from heads of government …

or next-door neighbors.

dramatically
flickering repeatable
afterimages

Warhol neither rips off nor transcends his sources.

He retains them as flickering, repeatable afterimages while dramatically changing their pictorial appearance and effect.

That’s what turns “something not his into something all his own.”

Warhol’s slightly off kilter, Day-Glo brilliant pictures change the way we look at celebrity and consumer culture.

His work, at its best, transforms us.

From The Supreme Court Is Wrong About Andy Warhol, a Guest Essay in the New York Times on June 5, 2023. by Richard Meyer.

Mr. Meyer is a professor of art history at Stanford University and the author, most recently, of “Master of the Two Left Feet: Morris Hirshfield Rediscovered.”

Mr. Meyer writes that, “As an art historian and Warhol scholar, I was asked to write an amicus brief on behalf of the Foundation.“

Mr. Meyer also said, “There is much about Warhol and the question of originality, however, that I left out of my brief.“

I am reminded of the story of a friend of Ansel Adams who had come into possession of some original photographic prints by, I think, Paul Stand.

The friend gave the prints to a an Art Museum and took a huge tax credit for his gift.

The IRS questioned the claim and asked for some provenance on who this Paul Strand was and why this prints could be valued so highly.

The friend asked Ansel Adams to write a reply.

Based what Mr. Adams wrote, the claim was allowed and word was passed along from the IRS to thank Mr. Adams for his 10 page document explaining the life and work and value of Paul Strand.

crazy — you’d have build
these gas stations all over
and pave these long roads

From the passage:

“Don’t you suppose someone must have argued to Henry Ford: ‘But that’s crazy — you’d have to build these gas station places all over the country and pave these incredibly long roads.’”

Great imaginations are almost always unreasonable, but they almost always triumph in the end.

As it appears in The imaginations of unreasonable men : inspiration, vision, and purpose in the quest to end malaria by William H, Shore, 2010, New York

value boundary
epiphenomenal could
move underneath them

Adapted from the passage: As when he compared mathematicians and physicists in Internal Constitution of the Stars, Eddington’s presentation of disciplinary boundaries was epiphenomenal to the values that could move underneath them.

In the book, Practical mystic : religion, science, and A.S. Eddington by Stanley, Matthew, 2007, University of Chicago Press