at the violet hour
eyes turn upward from the desk
human engine waits
Part of the series of Haiku inspired by The Wasteland by T.S. Eliot and the article, ‘It takes your hand off the panic button’: TS Eliot’s The Waste Land 100 years on by Andrew Dickson.
Mr. Dickson asks, ‘Is it genuinely one of the greatest works in the language, or – as the poet once claimed – just “a piece of rhythmical grumbling“?’
Readers of this blog may remember that from time to time I struggle with the weight of effort of producing a daily Haiku and any thoughts I may have about the words and time that went in the Haiku that day.
This daily schedule of missing a day can bring on a personal mental paralysis wherein writing these entries becomes impossible.
I learned to deal with this by not dealing with it and let it go.
Then when I look at my register of entries and see blank days with no post, I will grab a topic or book or poem for a source and produce a series of Haiku to fill in those blank dates.
This is one of the great benefits of this effort being my blog and my blog, my rules.
It IS cricket because I say it is.
It is ‘according to Hoyle’ because I say it is.
Thus I have this series based on ‘The Wasteland.’
A thoroughly enjoyable connection of wordplay and source of endless discussion in the search for meaning.
For myself, I like that bit about a piece of rhythmical grumbling by Mr. Eliot so said Mr. Eliot.
I have remembered this story before in these posts, but it reminds me of a story told by the actor Rex Harrison.
Mr. Harrison recounted rehearsing a play by George Bernard-Shaw and that the company was having a difficult time with a certain scene when, wonder of wonder, Bernard-Shaw himself dropped by to watch rehearsal.
Mr. Harrison tells how great this was as they went to the play write and asked how did he see this scene – what was he striving for?
Bernard-Shaw asked for a script and read over the scene, read it over again and a third time, then looked up and said, “This is rather bad isn’t it.”