10.13.2021 – despising someone

despising someone
feelings, that at the heart, are
large part of appeal

Reading and re-reading the article, Let’s not kid ourselves, we are all the Bad Art Friend, by Emma Brockes, I am trying to figure out why I am reading and re-reading this article.

For one thing the article itself starts, “The dignified thing, if you have to read it at all, is to read it and move on without comment. But, bored at our desks and seeking distraction, most of us can’t find self-denial with both hands.

For another thing Ms. Brockes goes on to say, “It happens every few months, somewhere or other, with a reliability approaching a new genre. Someone, usually working for a large media company, devotes considerable resources to excavating an obscure story of relatively low public interest.

From what I can tell Ms. Brockes is complaining or commenting about just such an story, Who Is the Bad Art Friend?, and at the same time, kind of apologizing for writing about just such an article and that the first article itself was barely worth the time it took to write, let alone the time it took to read.

But then Ms. Brockes WAS writing about it.

Two comments in the body of article caught my eye.

The first was, as Ms. Brockes tries to explain why she is writing, she second guesses herself with the line, “clearly some things are best left to Twitter.

In some ways that explains everything I have long felt about twitter.

Some folks use it.

Some folks read it.

But not as many as many people might think.

When I was in the news business is was well known that 90% of the world does NOT use twitter but 90% of those in News did.

As far as News is concerned, everyone must be using twitter.

Journalism often today is a headline that state, “TWITTER BLOWS UP OVER ….” and then the Journalist screen grabs a bunch of twitter comments from unknown people or known people or twitter accounts claiming to be written by known people or twitter accounts written by unknown people FOR known people and that is the story.

Notice I said screen grab, not just a quote, as a picture of the twitter account will show exactly what the account published to the world.

No editing, no second guessing no clarification allowed.

If typing on a small handheld device with your thumbs causes you to misspell or have a typo, you are dead where you type.

It is no wonder so many news stories about twitter comments end with the line, ‘DON’T PRESS SEND.’

Back in history at the Battle of Waterloo, as the forces allied under British General Wellington closed on the Napoleon’s French Army, the record says that the last organized French forces, Napoleon’s Old Guard, were called upon to surrender.

General Pierre Jacques Étienne Cambronne yelled back, according to the history books, “The Old Guard dies, but it never surrenders!”

Those on the scene reported that General Pierre Jacques Étienne Cambronne yelled, ‘Merde!’

Thank goodness General Pierre Jacques Étienne Cambronne didn’t have twitter.

So maybe some things are better left to twitter.

Someday, the written record will have history as the way it should have happened.

And someday someone will unplug twitter.

I said there were two comments that Ms. Brockes made that caught my eye.

The second on was a line where the author said, “That feeling of despising someone is at the heart of this and similar stories, and a large part of their appeal.”

Despising someone and twitter.

A match made in Hell.

Sorry to say that this was not a story about high school but a story, I think, about the publishing world, the world of writing and books.

There is a noting social about social media.

The last thing about the story was what I took to be a warning.

The author ends with, “the bone-chilling horror of imagining what would happen if one’s own private texts and emails came out.

Is anything private anymore?

Or is everything, anything open to the possibility that someone, usually working for a large media company, devoting considerable resources to excavating an obscure story of relatively low public interest will find something somewhere.

But hold on.

I started writing this thinking what a dark and scary world this has become.

With my brain chewing on the grit of this essay I got to thinking.

What is different?

History is full of people who burned their personal letters and diaries.

Who, really, wants, their most personal thoughts out there in the public.

Besides Theodore Roosevelt anyway.

TR’s biographer, Edmund Morris, wrote that you could NOT read TR’s letters without the feeling that TR MEANT for them to be read.

On the other hand, Mrs. TR, Edith Carow Roosevelt, the 2nd Mrs. TR, burned all of her letters.

Maybe it was just the way it was worded.

That feeling of despising someone is at the heart of this and similar stories, and a large part of their appeal.

What is the german word?

Schadenfreude?

Pleasure derived by someone from another person’s misfortune.

Even Jim Harrison wrote in his book, Sundog, about a writing writing a biography that, “Something essentially mean-minded in me wanted to probe deeper for a raw nerve, for the great leveler that is at the heart of all personal journalism, wherein the noblest human might be made pedestrian at least for the length of time it took to read the article: the school of “Faulkner was laughably short.”

Once again it comes to me that there is nothing new here.

We have new electronic mediums to do it to ourselves but the story is the same.

Plus ça change, plus c’est la même chose.

Never mind.

Carry on.

Big brother is reading you.

10.12.2021 – those lucky ones whom

those lucky ones whom
clocks no consequence, times true
emotional drift

Adapted from the line:

“The summer came and went quickly which is the nature of summer for people who are not children, those lucky ones to whom clocks are of no consequence but who drift along on the true emotional content of time.”

from The Summer he Didn’t Die – A Brown Dog Novella, by Jim Harrison

10.11.2021 – began to wonder

began to wonder
just the decision to be
free on your own terms

Came across this quote the other day:

And I began to wonder if just the decision to be free on his own terms isn’t, in itself, defiantly political. And I wonder if his search for some type of grace – and his celebration of beauty where he can find it – is not also deeply political. Particularly now, and at the time when we were making this film, when in the US there was this relentless, grotesque debasement of language, of thinking, of journalism, specifically of writers. I wonder if the celebration of those things is not, in some ways, a manning of the barricades in and of itself. Maybe it’s one of the most powerful things we can do, when faced with as much vulgarity as we’ve been faced with in the last few years.

It is a quote from the actor, Jeffrey Wright.

Mr. Wright was commenting on the role he plays in the upcoming movie, “The French Dispatch.

The movie is reported to be a look at the workings of the New Yorker Magazine in the 1930’s.

(I am really looking forward to this movie.)

Mr. Wright plays a character modeled after writer James Baldwin.

James Baldwin is the HIS in the above quote, ‘free on HIS own terms.’

I have so many thoughts about this movie and the people in it and Mr. Baldwin and everything else that there may be 10 or 20 posts for this quote.

But for today it is the thought on language that I want to focus on.

Today makes the 1st anniversary of the day I ended my 20 year career in television news.

In the world of Journalism I was a technician who worked to make the news available online.

That doesn’t mean I didn’t care about the content.

I wanted GOOD stories and more than that, I wanted them written well.

Often I felt I was a lone voice in the overwhelming babble of words spilling out of news rooms.

I will long remember talking to another staff member who came out of a meeting with a news director with a big smile.

“I just got this great tip!” he said, “SVO!”

SVO I said to myself.

LOL, IMHO, SMH but SVO?

So I asked,

SVO?

“SUBJECT, VERB, OBJECT!”, he replied.

Hours little I was still at my desk with tears coming down my cheeks.

Tears of pain, laughter and frustration all at once.

I think back to Professor Henry Higgins and why can’t we learn to speak.

I fought this battle for 20 years.

I totaled up nothing but losses year after year.

Not only was I fighting our education [sic] system.

I was fighting online news (FAST and FIRST) as well as the inventions of texting and tweeting and saying everything in 140 characters.

Spelling and grammar didn’t even make into the life boats.

The line of Mr. Wright’s that says “in the US there was this relentless, grotesque debasement of language.”

Was?

IS!

Often I love to reading someone’s writing just for the way it is written as much as what was written about.

Often I love to watch movies just to watch the acting in the movies as much as what the movie is about.

It is a craft.

I remember this story told by Winston Churchill.

I want to say it was John F. Kennedy who said (which means it was speech writer Ted Sorensen who wrote) that Churchill, “Armed the English Language and sent it into battle.”

Not to pick on JFK for using other writer’s stuff.

FDR is reported to listened to a speech of Mr. Churchill’s and said, “He is great. Find out who writes his stuff.”

Thinking about stuff got me to thinking about stuff.

Back in the day I worked at bookstore named Waldenbooks in North Kent Mall on the North End of Grand Rapids, Michigan.

After many years, I actually made it being the store manager.

My dear friend Denise was the store manager at the Waldens in Woodland Mall on the south end of Grand Rapids, Michigan.

The two malls were as different as the airports at Atlanta Hartsfield-Jackson and the one on Hilton Head Island.

One Christmas season I was told that to send someone on my staff out to the Woodland store to help out.

I had to tell my District Manager that no one on my staff would do it.

He then told me that I would be working at Woodland.

Which was okay with me.

After years in working mall retail bookstore I liked to think that I had delvelped a high level of customer service along with the ability to ‘read my audience.’

I had got to the point that I enjoyed the holiday rush.

I could keep a line of customers moving, keep an eye on my staff and maintain an entertaining (well at least to me) course of continuous banter with the people in line.

I had an apt comment about the purchase, the season, the weather and the time of day.

I was able to involve the customer who was leaving, the customer currently being waited on and the next customer in line in a rolling conversation that lasted as long as my shift.

I was happy to take my show on the road and try it out on the Woodland Mall folks.

As I remember it the time I spent at Woodland Mall that Christmas was a lot of fun.

As I remember it, the staff at the Woodland Mall Waldenbooks had never worked with someone quite like me before and they were both amused and amazed at what I could get away with in my sales desk banter.

I clearly remember working with the manager, my friend Denise (who was a high level professional bookseller in her own right – as an accolade from me, they don’t come much higher) and we got to a lull.

We stepped back from the counter and she said something along the line that working with me was … an experience.

“You know what?’, I said, “I am using my best stuff and only the customers in line get to hear it.”

Denise looked at me for a second or two and started laughing and shaking her head.

“You,” she said, “are the only sales clerk I ever heard of with ‘STUFF’.”

But I digress.

Mr. Churchill was a lot of things, some acclaimed and some not.

For his writing, (Dear Winston, Thank you for your latest book. I have put it on the shelf with the others. Sincerely, King George V), I think there is universal admiration for his craft.

How did Mr. Churchill acquire this craft?

Mr. Churchill himself wrote that while in school at Harrow:

“being so long in the lowest form I gained an immense advantage over the cleverer boys.

They all went on to learn Latin and Greek and splendid things like that.

But I was taught English.

We were considered such dunces that we could learn only English. Mr. Somervell — a most delightful man, to whom my debt is great — was charged with the duty of teaching the stupidest boys the most disregarded thing — namely, to write mere English.

Teaching the stupidest boys the most disregarded thing.

Namely, to write mere English.

S.

V.

O.

QED.

*[SIC] used in this case with the meaning, ‘as it is understand’. I adapted this from the student publications of The Georgia Institute of Technology who embraced this usage in such terms as ‘The University [SIC] of Georgia’

10.10.2021 – summer came and went

summer came and went
quickly, summer for people
who are not children

Adapted from the line:

“The summer came and went quickly which is the nature of summer for people who are not children, those lucky ones to whom clocks are of no consequence but who drift along on the true emotional content of time.”

from The Summer he Didn’t Die – A Brown Dog Novella, by Jim Harrison

Me and grand daughter Dallas

10.9.2021 – experience this

experience this
awkward unanswerable
be modern question

Adapted from the book, The Architecture of Happiness (2009, Vintage Books) by Alain de Botton, and the passage:

What is a beautiful building? To be modern is to experience this as an awkward and possibly unanswerable question, the very notion of beauty having come to seem like a concept doomed to ignite unfruitful and childish argument. How can anyone claim to know what is attractive? How can anyone adjudicate between the competing claims of different styles or defend a particular choice in the face of the contradictory tastes of others? The creation of beauty, once viewed as the central task of the architect, has quietly evaporated from serious professional discussion and retreated to a confused private imperative.

According the The New York Review of Books, this is “A perceptive, thoughtful, original, and richly illustrated exercise in the dramatic personification of buildings of all sorts.”

What I find irrestible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, I would.