matter of making
conscious effort to notice
understand elements

Adapted from the book, The Art of Travel (2002, Vintage Books) by Alain de Botton, and the passage:

True possession of a scene is a matter of making a conscious effort to notice elements and understand their construction.

We can see beauty well enough just by opening our eyes, but how long this beauty will survive in memory depends on how intentionally we have apprehended it.

The camera blurs the distinction between looking and noticing, between seeing and possessing; it may give us the option of true knowledge, but it may also unwittingly make the effort of acquiring that knowledge seem superfluous.

Adapted from the book, The Art of Travel (2002, Vintage Books) by Alain de Botton.

According to the website, GOOD READS, Any Baedeker will tell us where we ought to travel, but only Alain de Botton will tell us how and why.

As I said in the section on Architecture , what I find irresistible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, hey, I would.

** More from the category TRAVEL — click here

life might be about
outside constraints of work and
struggle survival

Adapted from the book, The Architecture of Happiness (2009, Vintage Books) by Alain de Botton, and the passage:

If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest—in all its ardour and paradoxes—than our travels. They express, however inarticulately, an understanding of what life might be about, outside of the constraints of work and of the struggle for survival. Yet rarely are they considered to present philosophical problems—that is, issues requiring thought beyond the practical. We are inundated with advice on whereto travel to, but we hear little of why and how we should go, even though the art of travel seems naturally to sustain a number of questions neither so simple nor so trivial, and whose study might in modest ways contribute to an understanding of what the Greek philosophers beautifully termed eudaimonia, or ‘human flourishing’.

Adapted from the book, The Art of Travel (2002, Vintage Books) by Alain de Botton.

According to the website, GOOD READS, Any Baedeker will tell us where we ought to travel, but only Alain de Botton will tell us how and why.

As I said in the section on Architecture , what I find irresistible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, hey, I would.

** More from the category TRAVEL — click here

dynamics of this
quest ardour paradoxes
than all our travels

Adapted from the book, The Architecture of Happiness (2009, Vintage Books) by Alain de Botton, and the passage:

If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest—in all its ardour and paradoxes—than our travels. They express, however inarticulately, an understanding of what life might be about, outside of the constraints of work and of the struggle for survival. Yet rarely are they considered to present philosophical problems—that is, issues requiring thought beyond the practical. We are inundated with advice on whereto travel to, but we hear little of why and how we should go, even though the art of travel seems naturally to sustain a number of questions neither so simple nor so trivial, and whose study might in modest ways contribute to an understanding of what the Greek philosophers beautifully termed eudaimonia, or ‘human flourishing’.

Adapted from the book, The Art of Travel (2002, Vintage Books) by Alain de Botton.

According to the website, GOOD READS, Any Baedeker will tell us where we ought to travel, but only Alain de Botton will tell us how and why.

As I said in the section on Architecture , what I find irresistible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, hey, I would.

** More from the category TRAVEL — click here

may make the effort
of acquiring that knowledge
seem superfluous

Adapted from the book, The Art of Travel (2002, Vintage Books) by Alain de Botton, and the passage:

True possession of a scene is a matter of making a conscious effort to notice elements and understand their construction.

We can see beauty well enough just by opening our eyes, but how long this beauty will survive in memory depends on how intentionally we have apprehended it.

The camera blurs the distinction between looking and noticing, between seeing and possessing; it may give us the option of true knowledge, but it may also unwittingly make the effort of acquiring that knowledge seem superfluous.

Adapted from the book, The Art of Travel (2002, Vintage Books) by Alain de Botton.

According to the website, GOOD READS, Any Baedeker will tell us where we ought to travel, but only Alain de Botton will tell us how and why.

As I said in the section on Architecture , what I find irresistible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, hey, I would.

** More from the category TRAVEL — click here

rarely considered
the issues requiring thought
beyond practical

Adapted from the book, The Architecture of Happiness (2009, Vintage Books) by Alain de Botton, and the passage:

If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest—in all its ardour and paradoxes—than our travels. They express, however inarticulately, an understanding of what life might be about, outside of the constraints of work and of the struggle for survival. Yet rarely are they considered to present philosophical problems—that is, issues requiring thought beyond the practical. We are inundated with advice on whereto travel to, but we hear little of why and how we should go, even though the art of travel seems naturally to sustain a number of questions neither so simple nor so trivial, and whose study might in modest ways contribute to an understanding of what the Greek philosophers beautifully termed eudaimonia, or ‘human flourishing’.

Adapted from the book, The Art of Travel (2002, Vintage Books) by Alain de Botton.

According to the website, GOOD READS, Any Baedeker will tell us where we ought to travel, but only Alain de Botton will tell us how and why.

As I said in the section on Architecture , what I find irresistible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, hey, I would.

** More from the category TRAVEL — click here