10.17.2021 – call works beautiful

call works beautiful
when they succeed in evoking
the significant

Adapted from the book, The Architecture of Happiness (2009, Vintage Books) by Alain de Botton, and the passage:

Secondly, our reasons for liking abstract sculptures, and by extension tables and columns, are not in the end so far removed from our reasons for honouring representational scenes. We call works in both genres beautiful when they succeed in evoking what seem to us the most attractive, significant attributes of human beings and animals.

According the The New York Review of Books, this is “A perceptive, thoughtful, original, and richly illustrated exercise in the dramatic personification of buildings of all sorts.”

What I find irrestible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, I would.

10.14.2021 – these things can be done

these things can be done
if person is desperate
enough, and I was

Adapted from the book, Searching for Schindler by Thomas Keneally (2007 by The Serpentine Publishing Co., Pty., Ltd.) and the passage:

We Australians didn’t think of ourselves as viable practitioners of writing, for the arts were something which happened elsewhere, in western Europe. Nearly all the literature I had read came from elsewhere, from landscapes foreign to me, from seasons which were the reverse of seasons in Australia. The term “Australian literature” would – if uttered in London by a comedian like Barry Humphries/Dame Edna – draw fits of hilarity from a British audience, and would be considered amusing even in Australia, like the idea of a dog riding a bicycle. However, I finished my summer novel in April 1963. These things can be done while holding down a job if a person is desperate enough, and I was desperate to find a place in the world I had once renounced to enter the seminary and was now anxious to re-find.

Searching for Schindler is the book behind the book, Schindler’s List.

Thomas Keneally’s use of language and ‘being from Australia’ in an ‘Oh are you from Australia?’ world, his anecdotes are worth the read.

10.9.2021 – experience this

experience this
awkward unanswerable
be modern question

Adapted from the book, The Architecture of Happiness (2009, Vintage Books) by Alain de Botton, and the passage:

What is a beautiful building? To be modern is to experience this as an awkward and possibly unanswerable question, the very notion of beauty having come to seem like a concept doomed to ignite unfruitful and childish argument. How can anyone claim to know what is attractive? How can anyone adjudicate between the competing claims of different styles or defend a particular choice in the face of the contradictory tastes of others? The creation of beauty, once viewed as the central task of the architect, has quietly evaporated from serious professional discussion and retreated to a confused private imperative.

According the The New York Review of Books, this is “A perceptive, thoughtful, original, and richly illustrated exercise in the dramatic personification of buildings of all sorts.”

What I find irrestible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, I would.

10.6.2021 – from professional

from professional
discussion confused private
imperative task

Adapted from the book, The Architecture of Happiness (2009, Vintage Books) by Alain de Botton, and the passage:

What is a beautiful building? To be modern is to experience this as an awkward and possibly unanswerable question, the very notion of beauty having come to seem like a concept doomed to ignite unfruitful and childish argument. How can anyone claim to know what is attractive? How can anyone adjudicate between the competing claims of different styles or defend a particular choice in the face of the contradictory tastes of others? The creation of beauty, once viewed as the central task of the architect, has quietly evaporated from serious professional discussion and retreated to a confused private imperative.

According the The New York Review of Books, this is “A perceptive, thoughtful, original, and richly illustrated exercise in the dramatic personification of buildings of all sorts.”

What I find irrestible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, I would.

10.5.2021 – to adjudicate

to adjudicate
between contradictory
styles, tastes of others

Adapted from the book, The Architecture of Happiness (2009, Vintage Books) by Alain de Botton, and the passage:

According the The New York Review of Books, this is “A perceptive, thoughtful, original, and richly illustrated exercise in the dramatic personification of buildings of all sorts.”

What I find irrestible in reading Mr. de Botton is his use of language.

I get the feeling that if you made a spread sheet of all the words, adverbs and adjectives used by Mr. de Botton, you just might find that he used each word just once.

Neat trick in writing a book.

If I knew how to do that, I would.