2.14.2022 – place where love begins

place where love begins
a touch of two hands that foils
all dictionaries

For Valentine’s Day, 2022 from Carl Sandbug.

Explanations of Love
Carl Sandburg

There is a place where love begins and a place
where love ends.

There is a touch of two hands that foils all dictionaries.

There is a look of eyes fierce as a big Bethlehem open hearth
furnace or a little green-fire acetylene torch.

There are single careless bywords portentous as a
big bend in the Mississippi River.

Hands, eyes, bywords–out of these love makes
battlegrounds and workshops.

There is a pair of shoes love wears and the coming
is a mystery.

There is a warning love sends and the cost of it
is never written till long afterward.

There are explanations of love in all languages
and not one found wiser than this:

There is a place where love begins and a place
where love ends—and love asks nothing.

And, BTW, this is the poem that Leslie agreed to have printed on the back our the program guides that were passed out at our wedding.

2.12.2022 – saying yes to the

saying yes to the
paradoxes democracy
hopes of government

Salutations on the aniiversary of your birth, Mr. Lincoln.

In remembrance I offer Carl Sandburg’s 1936 poem, Lincoln?

He was a mystery in smoke and flags
Saying yes to the smoke, yes to the flags,
Yes to the paradoxes of democracy,
Yes to the hopes of government
Of the people by the people for the people,
No to debauchery of the public mind,
No to personal malice nursed and fed,
Yes to the Constitution when a help,
No to the Constitution when a hindrance
Yes to man as a struggler amid illusions,
Each man fated to answer for himself:
Which of the faiths and illusions of mankind
Must I choose for my own sustaining light
To bring me beyond the present wilderness?

       Lincoln? Was he a poet?
       And did he write verses?
“I have not willingly planted a thorn
       in any man’s bosom.”
I shall do nothing through malice: what
       I deal with is too vast for malice.”

Death was in the air.
So was birth.

2.11.2022 – what are the roots that

what are the roots that
clutch, what branches grow out
this stony rubbish

Part of the series of Haiku inspired by The Wasteland by T.S. Eliot and the article, ‘It takes your hand off the panic button’: TS Eliot’s The Waste Land 100 years on by Andrew Dickson.

Mr. Dickson asks, ‘Is it genuinely one of the greatest works in the language, or – as the poet once claimed – just “a piece of rhythmical grumbling“?’

Readers of this blog may remember that from time to time I struggle with the weight of effort of producing a daily Haiku and any thoughts I may have about the words and time that went in the Haiku that day.

This daily schedule of missing a day can bring on a personal mental paralysis wherein writing these entries becomes impossible.

I learned to deal with this by not dealing with it and let it go.

Then when I look at my register of entries and see blank days with no post, I will grab a topic or book or poem for a source and produce a series of Haiku to fill in those blank dates.

This is one of the great benefits of this effort being my blog and my blog, my rules.

It IS cricket because I say it is.

It is ‘according to Hoyle’ because I say it is.

Thus I have this series based on ‘The Wasteland.’

A thoroughly enjoyable connection of wordplay and source of endless discussion in the search for meaning.

For myself, I like that bit about a piece of rhythmical grumbling by Mr. Eliot so said Mr. Eliot.

I have remembered this story before in these posts, but it reminds me of a story told by the actor Rex Harrison.

Mr. Harrison recounted rehearsing a play by George Bernard-Shaw and that the company was having a difficult time with a certain scene when, wonder of wonder, Bernard-Shaw himself dropped by to watch rehearsal.

Mr. Harrison tells how great this was as they went to the play write and asked how did he see this scene – what was he striving for?

Bernard-Shaw asked for a script and read over the scene, read it over again and a third time, then looked up and said, “This is rather bad isn’t it.”

2.8.2022 – pearls that were his eyes

pearls that were his eyes
you alive, or not? Is there
nothing in your head?

Part of the series of Haiku inspired by The Wasteland by T.S. Eliot and the article, ‘It takes your hand off the panic button’: TS Eliot’s The Waste Land 100 years on by Andrew Dickson.

Mr. Dickson asks, ‘Is it genuinely one of the greatest works in the language, or – as the poet once claimed – just “a piece of rhythmical grumbling“?’

This daily schedule of missing a day can bring on a personal mental paralysis wherein writing these entries becomes impossible.

I learned to deal with this by not dealing with it and let it go.

Then when I look at my register of entries and see blank days with no post, I will grab a topic or book or poem for a source and produce a series of Haiku to fill in those blank dates.

This is one of the great benefits of this effort being my blog and my blog, my rules.

It IS cricket because I say it is.

It is ‘according to Hoyle’ because I say it is.

Thus I have this series based on ‘The Wasteland.’

A thoroughly enjoyable connection of wordplay and source of endless discussion in the search for meaning.

For myself, I like that bit about a piece of rhythmical grumbling by Mr. Eliot so said Mr. Eliot.

I have remembered this story before in these posts, but it reminds me of a story told by the actor Rex Harrison.

Mr. Harrison tells how great this was as they went to the play write and asked how did he see this scene – what was he striving for?

Bernard-Shaw asked for a script and read over the scene, read it over again and a third time, then looked up and said, “This is rather bad isn’t it.”

2.4.2022 – saw morning paper

saw morning paper
first page back page inside page
saw the world go by

From the poem, Moon Rider by Carl Sandburg published in Poetry – A Magazine of Verse in March of 1922.

Mr. Sandburg wrote these lines 100 years ago.

The man opened the morning paper: saw the first page,
The back page, the inside pages, the editorials;
Saw the world go by, eating, stealing, fighting;
Saw the headlines, date-lines, funnies, ads,
The marching movies of the workmen going to work, the workmen striking,

I start my day with the morning papers on online.

I see the front pages, the back page and the inside pages.

I see the world go by.

It is the first line of the poem that sticks with me.

WHAT have I saved out of a morning?
The earliest of the morning came with moon-mist
And the travel of a moon-spilt purple:

All those pages.

All that reading.

And I can’t remember a dang thing of what I read.