7.26.2022 – women in black who

women in black who
went forth in pairs with quota
of six calls a day

During the Great War, the French Government realizing that sending a telegram to inform a family of the death of soldier was costing too much, they hired the Women in Black.

As recounted in the book, The Last Time I Saw Paris by Eliot Paul, 1942, Random House, Inc.:

So the gouvernement français, which had its soft as well as inept moments, in late 1916 hired tactful well-bred women who had friends in high office and needed a job to break the news in person to the nearest relatives in case a soldier was killed in action. These harbingers of sorrow were carefully chosen, and the qualifications were severe. They must present a dignified appearance, and neither be attractive enough to take men’s thoughts away from grief or ugly enough to scare the stricken children. They must have a smattering of practical nursing, in case the recipients of their tidings collapsed, and must be reasonably agile in cases of folie furieuse, or fits of grief-inspired madness. These women dressed in heavy mourning, spoke softly and always went forth in pairs.

Thus, trudging from house to house, making a quota of six calls a day.

This little story just struck me.

I was reminded of the story told by Doris Kearns Godwin in her book, No Ordinary Time.

Ms. Godwin wrote, “Two weeks after the battle at Kasserine Pass, a telegram addressed to Mrs. Mae Stifle on Corning Street arrived at the Western Union Station in the small town of Red Oak, Iowa, population six thousand. “The Secretary of War desires me to express his deep regret that your son Daniel Stifle … is missing in action.” Fifteen minutes later, a second telegram arrived, telling Mrs. Stifle that her second son, Frank, was also missing in action. A few minutes later, Mrs. Stifle’s daughter, Marie, received word that she had lost her husband, Daniel Wolfe. As the evening wore on, the telegrams kept coming until there were twenty-seven.”

And the war in Ukraine goes on.

Rainy Evening, Paris – Luigi Loir

7.25.2022 – gone were the ketchup

gone were the ketchup
reds and mustard yellows that
screamed attention

the fat fonts, image of
a turtle that was somehow
also a sandwich

Adapted from a photo essay in the New York Times titled:

The Ephemeral Art of Mexico City’s Food Stalls
In the heart of Mexico’s capital, the colorful signs that have come to define the urban landscape of the city are being erased.
Photographs by Jordi Ruiz Cirera

Text by Natalie Kitroeff

The text reads: White paint blanketed the food stalls of Cuauhtémoc, the borough Ms. Cuevas had been elected to represent last year, encompassing the city’s historic center. Others were scrubbed bare, down to their metallic walls.

Gone were the ketchup reds and mustard yellows that screamed for attention, the fat fonts, the image of a turtle that was somehow also a sandwich.

The text was just too good to ignore and it turned into a double haiku which is and isn’t against the rules of haiku.

It mostly isn’t as there aren’t really too many rules.

So by my rules, it is okay.

7.24.2022 – inflation rising

inflation rising
everything, pizza, rent, nightlife
is taking a hit

From the line “Inflation has been rising at the fastest rate in nearly four decades, affecting the prices of almost everything, from pizza to rent. Amid the surge, nightlife is taking a hit.” as it appears in the story, Nightlife Inflation: The Cost of Going Out Is Going Up, by Anna P. Kambhampaty, in the Feb. 28, 2022 NYT.

7.23.2022 – people sat at home

people sat at home
doing nothing and they thought
do something instead

My Saturday morning reading started with an article in the Guardian about a trip to the Suffolk region of Great Britain.

The writer, Sarah Perry, author of the Serpent’s Tail books, was tasked with chronicling a “typical UK summer’s day” and she wrote about a visit to a World War 2 museum and a tea break at a local pub in Suffolk.

Ms. Perry names the pub, the Buck Inn at Flixton, but maddeningly, did not name the museum.

I guess travel columns are not her forte.

I will have to do some searching but I want to find this place about which Ms. Perry wrote, “We find ourselves in a place in which something strange or interesting occurs every few feet.”

At this unnamed museum, Ms. Perry encountered a volunteer, also unnamed. Maybe basic journalism is also not in her forte.

Ms. Perry identified the volunteer as “A man in a blue tabard. “

I had to do the google on tabard and it turns out to be a smock or one of those long, below the waist coveralls worn by church nursery workers across the United States.

Ms. Perry described the man as, “A man in a blue tabard reading ‘I CAN HELP’. ” 

Ms. Perry writes, “A man in a blue tabard reading “I CAN HELP” explains the pandemic was rather good for the museum, which is run by volunteers.

I had to stop and think for a sec.

The pandemic was rather good for the museum.

Well, I thought, that’s one positive thing from covid.

It got volunteers to volunteer at the place in which something strange or interesting occurred every few feet.

Then Ms. Perry quotes the unnamed man in the blue tabard reading ‘I CAN HELP.’

People just sat at home doing nothing,” he says, “and they thought, I could be doing something, instead.

Now in the third summer of covid, malaise has set in.

I was down near the tourist center of my little oceanside community the other day and the lack of spark, the lack of vacation excitement, the lack of adult joy of being a little kid again, was overwhelming.

I can sit upon the ground and tell sad stories of the deaths of Kings.

Or I can think I could be doing something.

Beyond thinking is the doing of doing something.

I’ll better go to the beach.

Something.

7.22.2022 – artist inspired

artist inspired
creative challenge sung word
sew words in music

Inspired by an article on the career and life of one Gilberto Gil.

(UPDATE from the next day – there are some really good words here and I can do better – not fond of the haiku – we shall see what can be done to bring about a better arrangement – 7.23.2022 8AM)

According to Wikipedia, Gilberto Passos Gil Moreira, a Brazilian singer-songwriter and politician, known for both his musical innovation and political activism. From 2003 to 2008, he served as Brazil’s Minister of Culture in the administration of President Luiz Inácio Lula da Silva. Gil’s musical style incorporates an eclectic range of influences, including rock, Brazilian genres including samba, African music, and reggae.

The article, Gilberto Gil at 80: ‘Bolsonaro has a retrograde worldview, an opposition to any advance’ recounts the long life and career of the Brazilian singer who I don’t know much about but I will know more someday soon.

The last paragraph was worth reading all the other paragraphs.

The last paragraph was a quote.

Mr. Gil said, “The artist who is inspired by poetry and the creative challenge of the sung word has always something to say. And I like this embroidery – I like to sew words into the tissue of music. So, until the forces that provide this work disappear, I will keep on answering the request of that young singer who wants a collaboration, or that new author who asks for lyrics. As the saying goes: as long as there’s bamboo, there’s an arrow.

I like that a lot.

The artist who is inspired by poetry and the creative challenge of the sung word has always something to say.

And I like this embroidery – I like to sew words into the tissue of music.

So, until the forces that provide this work disappear, I will keep on answering the request of that young singer who wants a collaboration, or that new author who asks for lyrics.

As the saying goes: as long as there’s bamboo, there’s an arrow.”